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Liar by THE JESUS LIZARD is Awesome

So I first heard of The Jesus Lizard back a couple of years ago; ran across their name at some point online while searching for loud abrasive music.

I think I was looking up music associated with producer Steve Albini, the guy who produced The Pixies and the Mclusky album that I really really like. At one point he was quoted as saying that The Jesus Lizard was the best band in the world.

Well that was a good enough reason for me to give them a listen. I looked up which album of theirs was supposed to be the best, found out is was their 1992 album Liar, put it on a mp3 CD and put it in my car.

To be honest, the first couple of times that I tried to listen to it, I didn’t get very far. The music was loud, crazy sounding, and well sometimes it just takes me a bit to warm up to new music.

Especially music in which the singer does his best to sound like a raving madman as much as possible. Some would say that it’s an endearing quality of the group; while I won’t go that far I will say that the way that singer David Yow belts out his partially indecipherable lyrics is unique.

A lot of the time you can’t really understand him, and he doesn’t really go in tune with the music, or really in tune with anything. It’s a little creepy at times honestly. But it’s part of their musical Je ne sais quoi, if you will.

Considering that, the thing that really makes The Jesus Lizard stand out is that their music is awesome. Right from the very first instant of sound the guitars are crunchy, and explosive. It’s like an awesome musical punch in the face. It’s disorienting, and amazing, and you’re thrown into this world of crazy man screams and distortion.

The first song Boilermaker pretty much sets the tone for the record. It’s got this repeating riff that is all grindy, and then there’s a crazy breakdown part, and it’s loud and awesome.

The second song, my favorite of the album, and one of my favorite loud awesome songs of all time, Gladiator is a standout. It’s got a pounding drum beat that goes with a bassline that just powers through most of the song, this sort of loud violent pulse. The chorus breaks it up with the guitars coming in violently over the crazy dude, there’s some more noise, and things crescendo even more. I’ll use the word awesome again here to describe the song: Awesome.

The thing is that the music is really measured and exacting, you can tell that the chugging and the noise explosions are done with precision and skill, they’re a great foil for the crazy vocals, which is why the band works.

The album changes from the sonic assault of the first few songs to a slower yet still crazy self at times, but it just shows that The Jesus Lizard has the chops to do variety. Songs like Slave Ship and Zachariah, are almost tortured feeling in their slow intensity.

It’s just great to hear loud crazy music that doesn’t have to fall into all the silly trappings of Metal. They’re frequently lumped with the noise rock guys, but The Jesus Lizard aren’t unfocused in their attack, they’re pretty meticulous in their intensity. You always feel like theirs this sort of musical violent intensity that just boils below the surface of their sound.

So yeah I’m pretty sure I’ve gotta practice a lot more with the whole writing thing before I can pop out the sort of metaphor filled reviews filled with musical hyperbole that the likes of Pitchfork can pop out, but I’m workin on it.

I’ll fall back on my favorite descriptive word here to describe Liar, the 1992 album by the band The Jesus Lizard.

AWESOME.

But hey, not everything I write about can be silly movies that I can post funny captioned screencaps from, so deal with it.

Also I might invest some more time in using a thesaurus.

LETHAL NINJA

I like to consider myself a budding connoisseur of the late 80′s early 90′s ninja film.

Having seen my fair share of films from the era, I feel that I’ve had enough experience with that genre to present a fairly qualified critical viewpoint. Having seen the entirety of the American Ninja series, Revenge of the Ninja, Ninja 3: The Domination, Enter the Ninja, Gymkata, the more modern Ninja Assasin, and all of the films in the Three Ninjas franchise.

The thing about all of these films, is that for the most part they’re all borderline incompetent, but in a good way. Cause in the 80′s all you needed to make a ninja movie was a crappy plot, enough money for a few explosions, and a bunch of black leotards.

Which brings us to Lethal Ninja, a 1993 entry into the ninja-sploitation genre.

The movie takes place in Africa,you know a place where there are generally tons of ninjas, we start off by watching some blond lady working at a science lab, analyzing some water samples. There’s some beakers and test tubes ad everyone has lab coats and they’re talking about ho the water in the area has gone bad.

Then all of the sudden some ninjas show up, just popping out of nowhere, kill everyone but the blond lady, who they kidnap. They then promptly shoot rockets at the tent full of science stuff, it explodes.

We soon meet the hero of the story JOE. He’s teaching some meditation in San Fransisco. Some government looking dudes show up to give Joe the bad news. He finds out the blond lady, who it turns out was his wife, has been kidnapped; and so he decides to go to Africa to go get her.

But not before he decides that he’s gonna need the help of his black friend from black buddy from back in the day, who kinda reminds me of Eddie Murphy. He picks him up at a dojo, and they go to Africa, armed with some crossbows and guns and stuff, not really anything particularly ninja-esque.

They get into Africa under the excuse of it being a hunting expedition, and check into a decent hotel, which just happens to be the very same hotel run by the bad guy of the movie, and also conveniently enough the very same hotel in which the blond scientist lady is being held captive! There’s two main bad guys, one is the old guy who has something to do with the government or an evil corporation or something, and the sleazy younger guy, who also might have something to do with the government or an evil corporation or something. I don’t really remember the motivations beyond the fact that someone was dumping all sorts of toxic waste into the water supply in this small African nation, and some other people were paying some people off to let it happen. Possibly, I’m pretty sure it was something like that.

Our heroes decide to take a night on the town, while they look for some contact of theirs that’s got the lowdown on the local situation, there’s a rather long scene of this chick signing, it’s a crappy filler scene,the chick is in too much of the movie, she’s like the younger bad guy’s girlfriend or something. Then the bad guys harass some government officials, and then the heroes get in a small bar fight, then they run into their contact who tells them to meet him the next day.

There’s a few scenes of the blond chick being stuck in a swank hotel with the sleazy younger bad dude, trying to hit on her, and or persuade her to join his cause/team/side on the toxic waste issue, I think he just wants a new girl. She’s like “aaawww hell naw, my man will save me”.

The heroes meet their contact, who tells them that they have to meet up with other dude, and for some reason they’ve gotta do this at what happens to be a random carnival, they find the guy on a carousel that ominously starts up on its own to reveal that the guy who they were supposed to meet has be murder killed to death with a knife.

Then it turns out that someone has put bombs on their cars!

The contact guy gets exploded, but the heroes survive.

The go to the site of the science tent massacre that took place in the first scene, and then drive up to this old abandoned, factory/mill place and end up finally fighting some ninjas. In Africa. With No Asian People In Sight. That was really one of the best things about the late 80′s and early 90′s, it didn’t matter if ninjas made sense, people liked them, and so they showed up in movies. The thing is at this point in the movie the heroes haven’t done anything ninja related either, they go into this fight with guns and a crossbow with explosive tipped arrows.

You get ninjas jumping outta trees, different colored ninjas falling off buildings, ninjas hiding in the shadows, and then some ninjas jumping out at Joe with swords.After he defeats them in clumsily choreographed combat, there’s a quick rip off of an iconic scene from Raiders of The Lost Ark. This one ninja jumps outta nowhere with some nunchucks, swings them about all threatening-like, and then just gets shot in the chest by Joe, which makes you wonder why he didn’t just shoot the other few ninjas, they were clearly inept after all.

After a small car chase they intrepid duo heads bad to the hotel for some rest, they discover some sort of plant near the hotel, and they begin to put the pieces of the plot together.

After a few boring scenes Joe finally dresses up in black like a ninja and heads off for the films best scene. He sneaks into what appears to be a roller rink. He sneaks into the place, all the lights are off and it’s almost mysterious, but then the lights turn on and he’s surrounded by ninjas.

Surrounded by ninjas on roller skates.

Yeah, roller skates, not even roller blades, which were still kinda cool back in the 90′s, but just plain old roller skates. And then all of the sudden they’re not just plain old roller skates, knives pop outta the sides! It’s like they’re Swiss army skates of death.

Then all the ninjas begin to skate around menacingly. The attack Joe one at a time, and he manages to takeout a few through his brand of poor mans kung fu. The scene ends when he throws his sword at the lights to make his quick escape, leaving the viewer to wonder why the ninjas had skates in the first place, and what this scene had to do with anything. I’m pretty sure the writers of the film were tasked with coming up with something involving ninjas that nobody had seen before, and the best they could do was ninjas on skates. I mean it is amazing and all, but it doesn’t really fit into the context of the film very well, what with it being a movie about kidnapping, pollution, and Africa.

Speaking of which, the next part has Joe and his buddy sneaking into the pollution plant under the cover of night. I’m pretty sure that the plant consists mostly of some water slides that they put some foliage around, and tried to make look more industrial.

The black dude is gets trapped in one of the big pipes, and almost gets killed by toxic waste, but in doing so he figures out the bad guys evil plot. Which is cool cause it makes almost care, but not really.

The Old dude bad guy shows up, this time with a monocle, and he’s got ninjas with machine guns, so the good guys get captured. Then they get tortured a bit, then they get freed by the bad dudes girl friend, the annoying one who sang too much in he filler scene earlier, cause she’s tired of the bad guy being a dick and always trying to hit on the blond scientist lady.

They then run around for a bit looking for blond scientist lady until they find her, the old guy bad guy gets killed and then everyone is reunited. Yay, but we still gotta take care of the other bad guy, cause he’s a dick.

Turns out he’s at that old factory place from earlier in the movie that we first encountered the ninjas at, also turns out that that’s a mine. So the bad dude makes his way to the top of a large tower for a dramatic and exciting showdown with our heroes. Wait make that hero, cause right when they get to the bottom of the big tower, the black dude, whose name I just remembered was PETER, just all of the sudden decides he doesn’t care about getting the bad guy anymore.

At the top of the tower Joe fights some more ninjas, who I guess were just waiting up there. The thing is, this is the last few minutes of the movie, and the final ninja related scene, and it’s also the most comically inept. The fight is slow, and it really looks like the actors were having a hard time trying to look even remotest bit convincing.

Just when you think that Joe and the bad guy are actually gonna fight, this one ninja sneaks up behind Joe. So Joe rolls outta the way a little bit, and makes the ninja accidentally stab his boss, who then gets hit off the top of the tower. It’s a bit anticlimactic if you’re looking for anything resembling competence.

So that’s pretty much Lethal Ninja.

Compared to quality films it doesn’t hold up very well, but when compared to other low budget action films, well you could still do quite a bit better.

But for the ninja enthusiast, who doesn’t mind their ninja films having no real reason to have ninjas; well, you’ll probably be amused. There’s a number of unintentionally funny parts, and there’s even a few explosions, and as a whole the film entertains, just not because it’s cool or anything like that. The film entertains, cause you can just tell that the filmmakers weren’t trying very hard when they made it.

It’s a movie that you don’t have to respect, it doesn’t very hard, and you don’t have to put much effort into watching it.

Compared to other ninja films, I’d say it’s worse than American Ninja parts 1, 2,and 3, but at least on par with American Ninja 5.

Lethal Ninja is available on Netflix Instant Watch at the moment, but the cover art they have for it is for a totally different movie. You either watch it on Netflix or you find a VHS copy, cause it never got a DVD release.

Nobody Likes M. Night Shyamalan

This past Thursday night at midnight I ventured to my local movie theatre to see The Expendables.

It was amazing, if you were wondering whether or not you should see it, ask yourself “Do I want to see Terry Crews turning people into people puddles with an automatic shotgun?”

Of course the answer is yes.

But that’s neither here nor there, right now were gonna talk about the trailer for the new movie written by M. Night Shyamalan, called Devil.

It’s about some people stuck in an elevator in a building, and some creepy stuff starts goin on, and I’m guess by the title that at least one of the people in the movie is a demon/monster/satan sort of person. It looks mildly amusing, but it also looks like it has the potential to be dumbtarded.

The thing is, at the point the trailer says “from M. Night Shyamalan”  a good portion of the theatre let out a collective groan, and then followed that up with laughter.

I’m relatively sure that laughter isn’t the intended reaction from the trailer.

But after having been dealt the one-two punch of the comedy opus The Happening, and the what I’ve heard shitstorm The Last Airbender, I think audiences might be tired of that guy.

It would have been just another funny occurrence in a crowded movie theatre, had it not happened again the very next night.

On Friday night I went and saw the amazing Scott Pilgrim vs The World.

If you were wondering if you should see that movie, the answer is a resounding YES. It’s great in just about every way imaginable.

But before the movie, when the trailer for Devil played, a number of folks in the audience let out groans of displeasure followed by laughter.

Not a good sign for Universal, not a good sign in the least.

FUN FACT: If you run a google search for M. Night Shamalamadingdong, Mr. Shyamalan’s imdb.com site is still the first entry!

The Entity and Raiders of Atlantis

THE ENTITY

The Entity is a movie from 1981 about a lady who get repeatedly raped by a ghost.

Yeah you read that right, it’s a movie about ghost rape.

Ok I know how absurd that sounds, and I realize that it sound a little bit on the horrible side, but it’s actually supposedly based on a true story. So it’s a completely credible movie about ghost rape.

The movie is played almost totally serious, almost like a Lifetime Network drama. Imagine for a moment, a movie about a woman, with three children, and a husband who beats her. The movie is comprised of various scenes of her getting beat up, and then dramatic scenes of her dealing with the problem. In the end she leaves.

Just replace “husband” with “ghost” and “beating” with “rape”.

Which is weird really, this is the sort of movie that you’d expect to be played for exploitation value, but it’s not. It’s genuinely uncomfortable to watch. There is a little bit of absurdest humor to found, just based on the subject matter, but the movie itself isn’t funny.

Ok the end parts are kinda funny, cause they set up this elaborate trap to try and freeze the ghost with liquid helium.

The acting is pretty good around the board, with Barbara Hershey giving a believable performance as the woman. You feel pretty bad for her most of the movie, cause she spend a lot of it getting the crap beat outta her.

This is just one of those movies, that while good, I can’t really recommend to most people. Cause it’s a ‘Woman In Peril’ drama that just happens to feature some crazy supernatural shenanigans, but none of the revenge catharsis that we enjoy from our usual exploitation fare. It’s not really fun, but it’s pretty creepy for the most part.

It’s available on Netflix instant watch.

RAIDERS OF ATLANTIS

I saw the trailer for Raiders of Atlantis a few years ago while watching 42nd Street Forever, and just knew I had to see it. It looked like some crazy shenanigans full of silly Road Warrior ripoff type bad guys, and that’s pretty much what it turned out to be.

The movie was directed by Cannibal Holcausot director Ruggero Deodato.

As far as the plot goes, I’m not really sure, there’s very little there. It’s something about some dudes,on a boat, and then some scientists, who’ve found some ancient artifacts near some underwater wreckage, then some stuff about an oil platform, then a giant storm shows up and some really bad miniatures and destroyed, an island pops out of the ocean, and then the Road Warrior guys show up.

From there on it’s just a whole ton of mindless shooting and action. Suffice to say it’s pretty great. It follows the 80′s action movie code of if we can’t have a quality plot, or well thought out action, lets just have more explosions and shooting.

It’s pretty mindless, I honestly didn’t know who half the characters in the movie were for most of the film. But more and more bad dudes keep showing up, and so more people get shot. There’s a bus chases where some guys jump out of a helicopter onto a moving bus, and that was pretty cool. The main characters go to the island that came out of the ocean, which I assume is part of Atlantis, they shoot a whole bunch of dudes, half the main characters die, along with a few side characters, then there’s some lasers or something, and at some point the movie ends.

I watched it like three weeks ago, while I was pretty tired, so I mostly just remember lots of shooting.

I was entertained quite a bit by the movie, despite not having much of an idea as to what was going on besides loud noises and shenanigans. For fans of B action movies from the 80′s there’s quite a bit of enjoyment to be found in Raiders of Atlantis.

Interestingly enough, the movie has never gotten a DVD release in the USA, so I ended up watching it on what appeared to be some sort of Scandinavian VHS rip.

The War Crimes of 50 Cent: Thoughts on 50 Cent: Blood on the Sand

In the world of film there’s good movies, bad movies, and a lot of movies that lie somewhere in between. But it’s the ‘B movies’,the special, lower budget films, that turn out to be weirdly endearing. Sure they’ve got faults, but there’s enough good things in them to make you watch them. There’s usually some wild, crazy aspect that makes you appreciate them for what they are. Good entertainment.

The 2009 video game 50 Cent: Blood on the Sand is the game that I’ve played that feels most like a  great B Movie. It’s got a silly premise, it’s over the top, offensive, partially retarded,  and it’s damn fun.

The plot of the game is basically non existent and serves only as an excuse to propel Fiddy into a series of increasingly ludicrous and violent situations.

You play as Mr. Cent, and the game begins with you performing a concert in some giant stadium in some unnamed city in some geographic area that resembles the middle east. We have to assume it’s the middle east, cause there’s lots of sand, hence the title, and everyone speaks with a bad accent. Promptly after finishing the concert, Mr. Cent tries to collect eh 10 MILLION DOLLARS that his promoter guy is supposed to owe him, but his promoter guy is broke.

He got robbed by some terrorist/gangster/warlord guy and has no cash. So when Fiddy ever so politely threatens to kill the shit outta him unless he pays, he forks over a priceless artifact, the McGuffin of the story, a diamond and jewel encrusted skull.

Which promptly is stolen by people who work for the terrorist/gangster/warlord in the next scene. Fiddy gets double crossed, tripled crossed, and I’m pretty sure at one point even quadrupple crossed by various people who either want to kill him for no reason, or steal his skull. So he sets off to shoot a ton of dudes until he can get his skull back.

And shoot a tons of dudes he does, like so many dudes I’m pretty sure Mr. Cent could rightfully be charged with war crimes of some sort. And in shooting tons of dudes there’s some blood, also hence the title.

The game plays just like Gears of War, but without the roadie run and unfortunately also without the chainsaw gun.

You run into new areas, duck behind cover, shoot terrorist henchmen and then proceed into the next area to repeat the process. It’s fun, cause it’s not especially difficult, you can pretty much run n gun most of the time. So they gameplay’s not bad, it’s just basic stop n pop, and it’s fun in a mindless sort of way, it’s just the whole game itself is kinda offensive to anyone with moral sensibilities of almost any sort.

First off lets begin with the main character 50 Cent. He’s not a soldier, he’s a rapper. He’s not fighting through the middle east in an effort to liberate some country from the throngs of terror, he’s not trying to save anyone, he’s just in this whole situation for the money.

It’s a little hard to identify with him honestly, I mean I’m just a white guy livin’ in suburbia, I’ve never performed at a concert and expected 10 million dollars, I’ve also never been shot. The biggest problem is the motivation moving the story along, Fiddy wants to get paid. That’s it, you’re killing all these guys because you want a skull covered in diamonds. There’s just not a bit of nobility there.

So all the dudes that you kill in the game, you kill in the quest for money, your own personal greed as Mr. Cent. You want your skull back, and you will murder as many people as it takes to get it.

Sure they’ve all got machine guns and bad dispositions, but when you’re raining down hellfire and machine gun bullets at them from a helicopter, killing at least a few hundred guys in one level, you can’t help but think about the cycle of violence begetting violence, is getting a priceless skull really worth having the lives of all these men on your conscience?

Should I just go cut my loses and go home, cause I think what happens in the game might be considered an international incident.

It’s something I’ve never had to ponder before in my video games. In Call of Duty, the bad guys are either nazis or terrorists and you’re a soldier in a war, so it’s ok to shoot them in their faces. In Halo you’re shooting monster aliens, so it’s not just ok, it’s required to shoot them in their alien monster faces.

But in 50 Cent: Blood on the Sand, well I feel that it’s safe to say that all the people that Fiddy shoots are at least “Bad Guys“, cause they work for a terrorist/gangster/warlord, but it still seems a little bit unnecessary. Fiddy comes out of the experience looking like a monster, he can kill hundreds of men, call them all bitches, and then continue killing, all so he can get his bling.

In addition to proving to being a cold hearted, gangsta killa, Fiddy refers to all the women in the game as “Bitches”, which would be more offensive, if half the women int he game weren’t middle eastern hookers/strippers. YAY FOR MISOGYNY!

50CENT IS THE BEST ROLE MODEL EVER!

So yeah If you can get past the moral quandaries and general douchitude that Fiddy brings to the table, you’ll probably enjoy 50 Cent: Blood On The Sand.

Cause to be honest the game’s hilarious. It’s so fucking stupid, I can hardly believe it even got made.

SERIOUSLY. YOU’RE THE RAPPER 50 CENT FIGHTING TERRORIST BAD GUYS IN THE MIDDLE EAST TO GET SOME BLING.

The game even has a taunt button that you can use to say various offensive things.

I’m pretty sure if you were a dumb ass 13 year old kid into rap music this would be “The Best Game Ever Made OMG!!!

But the problem is that the game plays well enough that all the stupid shit manages to become just part of the charm. It’s like Army of Two but even less serious, it’s like the short bus version of Gears of War.

I’m pretty sure that the people who made the game did so with tongues firmly planted in their cheeks. There’s no way to go about this material without a sense of humor. Which is the reason that the game gets a pass, because to be offended by something this retarded would be stupid.

Nothing this dumb should be taken seriously, and because the game is so silly it somehow manages to work.

There’s an undeniable charm to shooting a ton of faceless terrorist bad guys, hearing Fiddy yell something about getting his skull back, all while listening to really classy lyrics like these:

Nigga, it?s not a war when there’s casualties on one side, I ride
Turn it up on you niggas after Jay ride by
I click-clack, that?s that, I don’t flash, I mash
I wave the Uzi at ?em, I make a movie out ?em

Nigga, my gun go off
You see the barrell turnin’, you feel the hollows burnin’
Nigga, now you learnin’, nigga, my gun go off
Call it attempted murder, nigga, I’m tryin? to merk you
When I come back bustin’, nigga, my gun go off

Holy Fuck SHARKTOPUS Looks Amazing!!!

So yeah, I’m just sayin, this might be the best concept for anything ever.

SHARKTOPUS!!!

It’s a combination shark and octopus, not as good as a combination pizza hut and taco bell, but still pretty amazing.

Feast your eyes on the glory below:

I’m having a hard time finding the words to describe this work of ART.

Looks at least as good as Mega Shark vs. Giant Octopus.

Super Stoked.

Thank You Roger Corman.

Awesome Eats in Tallahassee, Florida

So I went to Tallahassee on July 7th to go see Lightning Bolt perform at The Farside.

That was a pretty amazing concert, but in the time that I spent in Tally during which I wasn’t having my ears destroyed, I was taken by my friend  Nikki to have some pretty awesome food.

For dinner we went to a cool place called Monk’s, that is known for their wide selection of burgers.

They’re the sort of place that has a giant list of crazy toppings that you can get, so there’s quite a few possibilities there for the picking, but they’re got some of the really interesting ones right there on the menu. As a man who is adventurous when it comes to culinary matters I knew that I had to try the burger on the menu called THE LIP SMACKER.

Smoked Bacon, Cheddar Cheese, Peanut Butter, and Strawberry Jelly.

I was terrified, I was curious, I was up for the challenge.

I have to say that the name of the burger is appropriate, it’s a sort of greasy, wonderful, flavorful mess inside your mouth. It’s kinda strange, but new and interesting, cause honestly, most people haven’t even considered such a meal.

Like I’m not totally sure that it’s something I’d be in a hurry to get over and over, but it’s certainly different. The peanut butter is pretty sticky, which is an interesting texture contrast to the rest of the elements of the burger. The bacon adds a saltiness, while the jelly gives you a sweet flavor, it works better than you’d expect honestly. While it’s not something I’d recommend for everyone to try, it is a burger that I’m glad I tried and one that I’m glad exists as an option. I always support creative food combinations.

Weirdness aside, they do make a good burger at Monks, nice and juicy, full of flavor. I plan on going there again, next time I’m in Tally.

The next day we went to a hot dog place  called Voodoo Dog. We picked up a flyer for them at The Farside while I was waiting around to get the two guys from Lightning Bolt to autograph their newest album for me. I saw the words, “bacon wrapped deep fried hot dogs” and I was sold.

The place itself was pretty cool, they had all sorts of pop culture pictures and things, a big poster for They Live instantly endeared me to the restaurant. They’ve also got a pretty cool logo.

Overall I had a pretty decent experience there, the signature bacon wrapped dog was pretty good, I got one with cheese and slaw, and another off the menu called the Hari Kari that was the bacon wrapped dog, with teriyaki sauce, pineapple, and green onions.

I wasn’t too impressed with the Hari Kari really, I don’t really think they put enough teriyaki sauce on it at all, cause it didn’t taste teriyaki-esque to me. So i felt like I had just gotten a hot dog with some pineapple on it, not really what I was hoping for.

The cheese fries that I also got were quite good, they used real cheese instead of cheese sauce, and they were nice and freshly fried, so they tasted wonderful like a cardiac arrest. So out of the things I got from Voodoo Dog, two out of the three were pretty good, and one was kinda meh. I’ll try them again at some point, cause they’ve got a variety of other interesting looking hot dogs and burgers on their menu, I was just a bit underwhelmed with my first go round.

So there you have it, two places in Tallahassee, Florida that have serve some pretty good eats. When I’m in a different town I like to find myself good local restaurants that serve interesting foods, and I’d say these two proved a success.

So comment back here if you’ve got any suggestions of more places I should try out next time I’m in Tally.